Author Archives: bza

I made a playlist to accompany the exhibition Eleanore Mikus – Voiceless Poetry, opening at Lévy Gorvy Gallery in NYC today. Mikus used rigorously built textures, monochrome and irregular pattern to achieve subtle, meditative works. To draw a musical parallel … Continue reading →

Launching February 18, 2021— in honor of the birthdays of literary giants Toni Morrison and Audre Lorde– We Hold These Truths is a new meditative film created and curated by conceptual artist Shani Jamila and produced in collaboration with Park … Continue reading →

Hello friends, I want to let you know about two events happening this week- 10/17 Anthony Vine commission: For Pierre Soulages at Lévy Gorvy 10/19-20 Doppelgänger Projects: Eurydice – upstate in Hillsdale, NY This Thursday, October 17, through my role … Continue reading →

I’ve contributed an article entitled, ‘Pine Music and Polyphony; the trees, the water, you’ to the book ‘from dream to dream’ released by Interface Inagh in collaboration with Artisan House. Many, many thanks to the indefatigable artist, activist, singer and … Continue reading →

I’m thrilled to have my music included in Sujin Lee‘s solo exhibiton ‘Language is Treacherous’ at the Wumin Art Center in Cheongju, South Korea. I don’t know the ending—Я не знаю, чем это закончится (2017) HD video, B&W, Color, Sound … Continue reading →

This is a bit of a sound collage (a bit that ended up on the cutting room floor) I made in response to artist and cultural worker Shani Jamila’s series of collages which were installed at the Manifesta12 Biennial this … Continue reading →

In Review: TILT Brass Lévy Gorvy, New York, NY Nov. 28, 2018 Words and Images: Steve Smith https://nationalsawdust.org/thelog/2018/11/30/in-review-tilt-brass Across town on Madison Avenue, Lévy Gorvy Gallery takes music seriously enough to retain the services of an astute cultural program curator, Brett Sroka, … Continue reading →

To celebrate the exhibition, Terry Adkins – The Smooth, The Cut, and The Assembled at Levy Gorvy Gallery last February, Greg Tate, with the Burnt Sugar Arkestra Chamber conducted a live score to Adkins’ video work Synapse — A Faustian … Continue reading →