Curriculum Vitae
2025
BLU, Milan Italy
Endless Song
solo exhibition: audio/video installation
2025
Pasaj Istanbul, Istanbul Türkiye
Spectral Variations
solo exhibition: sculpture, music/video, generative software sound installation
2025
Platforms Project independent art fair, Athens, Greece
Tip-Ex me, Tip-Ex you, Words break through, peek-a-boo - Pasaj Istanbul booth
2024
Galway Arts Center, Galway, Ireland
The Branch, The Fork, The Harrow - the Woodland Symposium group exhibition, audio/video installation
2023
Irish Museum of Modern Art, Dublin, Ireland,
Earth Rising Festival
the Woodland Symposium group exhibition
audio/video installation, listening workshop
2021
Park Avenue Armory, New York City, NY, USA
‘We Hold These Truths’
video by Shani Jamila, music and sound design by Brett Sroka
2019
Lévy Gorvy Gallery, New York City, NY, USA
In House - Artist Who Work at Lévy Gorvy,
sound installation featuring Alicia Hall Moran
2019
Wumin Art Center, Cheongju, South Korea -
‘I don’t know the ending’
video by Sujin Lee, music by Brett Sroka
2018
Manifesta 12 Palermo, Palermo Italy
ReSignifications, collage installation by Shani Jamil - sound installation by Brett Sroka
2017
Zarya Center for Contemporary Art, Vladivostok, Russia
‘I don’t know the ending’
video by Sujin Lee, music by Brett Sroka
2017
Galway Jazz Festival, Galway City, Ireland
music performance: Rauno Nieminen - jouhikko, kantele, flute Brett Sroka - live computer instrument
2017
Clifden Arts Festival, Clifton, Ireland -
Sine Qua Non generative sound installation featuring Alicia Hall Moran (voice)
2017
Winter Jazz Festival, New York, NY
BREATHE - Craig Harris ensemble, Brett Sroka - trombonist
2016
Harvard University - The Hutchins Center for African and African American Research
'Altar' video by Shani Jamila, music by Brett Sroka featuring Alicia Hall Moran
exhibition: Carrie Mae Weems: I once knew a girl…
2016
New Museum, New York, NY
‘Altar’ video by Shani Jamila, music by Brett Sroka featuring Alicia Hall Moran
2015
Music for Contemplation, Brooklyn, NY, USA
Stuart Dempster, Tromba-Annuncation, Brett Sroka - Brett Sroka - trombonist
2015
Fridman Gallery, New York, NY, USA
Sine Qua Non - solo exhibition: performance/sound installation with Alicia Hall Moran (voice)
2014
Eyebeam Art + Technology Center, New York City, NY, USA
The Tri-Centric Foundation Festival,
Andre Vida, Moving Scores, Brett Sroka - trombonist
2015
Robert Turner Gallery / Institute for the Electronic Arts, Alfred University, Alfred, NY, USA
Sine Qua Non
solo exhibition: performance/sound installation with Jeremiah Cymerman (clarinet)
2014
Roulette, Brooklyn, NY, USA
Sine Qua Non
premiere/solo exhibition: performance/sound installation with Carl Maguire (piano)
2013
University of Pennsylvania, Philadelphia, PA, USA masterclass/performance
2012
The Sonic Circuits Festival, Washington, DC, USA
music performance: Ergo (electro-acoustic trio)
2011
The Stone, New York, NY, USA
music performance: Ergo (electro-acoustic trio)
featuring Jason Moran
2010
BAM Cafe Live, Brooklyn, NY, USA
music performance: Ergo (electro-acoustic trio)
Awards & Residencies
2025
American Scandinavian Foundation Fellowship, USA/Finalnd
2024
Arts Mid Hudson - Individual Artist Grant
2021/2022/2023
The Arts Council of Ireland - Interface Inagh, residency/grant, Ireland
2020
NYFA - The Tri-State Relief Fund to Support Non-Salaried Workers in the Visual Arts
2019
Cité Internationale des Arts, residency - Paris, France
2019
Skriduklauster, residency, Fljótsdalsvegur, Iceland
2017
Interface Inagh, residency - Inagh Valley, Ireland
2017
CAMAC, residency, Marnay Sur Siene, France
2016
Album of the Year - Ergo “As subtle As Tomorrow”
New York City Jazz Record
2015
Southern Fingerlakes New York Council on the Arts Grant
2015
Institute of Electronic Art, research grant/residency, Alfred University, NY, USA
2014
Arteles Creative Center, residency, Haukihjarvi, Finland,
2014
Finlandia Foundation National Grant
2014
Ptarmigan, residency, Talinn, Estonia
2013
Vilnius Academy of Art - Nida Art Colony, residency, Nida, Lithuania
2013
Institute of Electronic Art, research grant/residency, Alfred University, NY, US
2012
I-Park Foundation, residency, East Haddam, Connecticut, USA
2012
Artists Summer Institute
Lower Manhattan Cultural Council / Creative Capital
2011
I-Park Foundation, residency, East Haddam, Connecticut, USA
2006
Best Debut CD - Ergo "Quality Anatomechanical Music Since 2005"
All About Jazz-NY
2001
Queens Council on the Arts Grant
Publications
2020
Terry Adkins Interview Project, with Jason Moran and Jamaaladeen Tacuma - Lévy Gorvy Gallery
2019
‘Pine music and Polyphony the trees, the water, you’ ‘From dream to dream’ Interface Inagh with Artisan House, edited by Alannah Robins
Cultural Program Curator at Lévy Gorvy Gallery, New York/London
2019
Anthony Vine commission / Rhythm Method string quartet exhibition: Pierre Soulage - A Century
2018
Lea Bertucci /TILT Brass ‘Vertical Octet’ three floor spatial sound work exhibition: Calder/Kelly
2018
Nova Guitar Duo - Scarlatti to Stella
exhibition: Frank Stella, London
2018
Maria Chavez - turntable set
exhibition: Francois Morellet & James Turrell
2018
Greg Tate & Burnt Sugar Arkestra - live, improvised score to Synapse,
exhibition Terry Adkins
2017
Alicia Hall Moran, Brandon Ross, Melvin Gibbs,
exhibition Pat Steir: Kairos
2017
Peter Evans -The Meeting of Edgar Varese and Charlie Parker exhibition: Willem De Kooning/Zao Wouki
2017 Yves Klein - Monotone-Silence Symphony, conductor Petr Kotik,
Grace Cathedral, San Francisco
2016 Sandbox Percussion - works by Cage, Reich and others exhibition: Joel Shapiro
2016 Jen Shyu - Seven Breaths, Solo Rites
exhibition: Chung Sang-Hwa
2016 Jason Moran - solo piano
exhibition: DRAWING THEN: American Drawings of the Sixties
2015 Eric Hawkins Dance Company - Motherwell Amour - Lucia Dlugoslewski
exhibition: Robert Motherwell: Elegy to the Spanish Republic
Recordings (as composer and bandleader)
2025
Brett Sroka “The Imperfection Etudes” with Barış Büyükyıldırım
Actuator Records
2025
Cherubim “falling” Actuator Records
2016
Ergo “As subtle as tomorrow” Cuneiform Records
2013
Cherubim “The Joyful Shrieks of the Cherubim!” Zeromoon Records
2012
Ergo "If Not Inertia" featuring Mary Halvorson - guitar,
Cuneiform Records
2009
Ergo “Multitude, Solitude” Cuneiform Records
2006
Ergo "Quality Anatomechanical Music Since 2005" Actuator Records
2001
Brett Sroka "Hearsay" featuring Jason Moran, Avishai Cohen
Fresh Sound New Talent Records
Film Scores
2014
Shirin Neshat: Retrospective - by Sujin Lee, Museum of Modern and Contemporary, Seoul, Korea
2013
Judith Modrak: The Hive - documentary by Janice Ahn
2013
The Jerusalem Syndrome - documentary by Sohrab Pirayesh
2012
Nature Boys - comedy/drama short by Tim Young starring Ilana Glaser
2009
Worms - documentary short film by Catherine Weiss
2009
Iced Beauty - art film by Laureta Ismailej
2008
Frying Pan To The Head - dramatic short film by Catherine Weiss
• 2008 Maine International Film Festival
2007
Windows and Blinds - dramatic short film by Sohrab Pirayesh
2007
Like Snow Flakes In December - documentary short film by Ari Kaplan
2007 Space Times Square - documentary/art film by Barry Vacker
• 2009 First Person Arts Festival, Philadelphia, The Arts Bank
• 2009 Living Arts of Tulsa, New Genre Fest XVI, Tulsa, OK
• 2009 Monkey Town, New York City
• 2008 Radar Hamburg International Independent Film Festival, Hamburg
• 2008 Student Film Festival, Communication University of China, Beijing
• 2008 Cinema Du Reel Festival, Paris, Centre Pompidou
• 2008 21st Dallas Video Festival, Dallas, TX
• 2007 International Digital Media Arts Annual Conference, Philadelphia, PA
2006 Lexicon - documentary/art film by Sara Jordeno
• 2007 Surround sound installation, Muscarnok Museum, Budapest, Hungary
Education
2008 MaxMSP 1, Harvestworks, New York, NY
1999 Thelonius Monk Institute Jazz Colony, Jazz Aspen Snowmass
1997 B.M. trombone, Manhattan School of Music, New York, NY
Instruments and skills
Trombone, piano, voice,
Computer programs: Max/MSP/Jitter, Logic Pro, Reason, Pro-tools, Finale, Sibelius, Adobe Illustrator, Final Cut Pro
Selected Press
“Lévy Gorvy Gallery takes music seriously enough to retain the services of an astute cultural program curator, Brett Sroka, himself an accomplished composer and trombonist. On Sroka’s watch, the gallery has presented ambitious performances by Peter Evans, Burnt Sugar, Alicia Hall Moran, and Maria Chavez, each linked in some meaningful way to the art then on view. From conception to execution, this event was a thoroughgoing success.” - The Log (nationalsawdust.com)
"This wildly experimental electro-acoustic ensemble, led by trombonist, composer and computer maven Brett Sroka and featuring guitarist Mary Halvorson, drummer Shawn Baltazor and keyboardist Sam Harris, concocts some strangely compelling music. From the droning, Terry Riley-inspired loops of “Sorrows of the Moon” to the exquisite music-box pointillism of “Two for Joy” and the free-jazz vehicle “Little Shadow,” nothing is predictable or tame on If Not Inertia. "
Jazz Times (Bill MIlkowski)
"Ergo uniquely combined live modifications of sound with chordal materials that were deeply rooted in traditional jazz harmonic practice. The hybrid cross-genre sound focused on the lengthy, developed rhythmic and melodic lines that referred to minimalism while avoiding any obvious clichés.”
M.I.T. Computer Music Journal (Ross Feller Gambier)
"Ergo's trombonist Brett Sroka, keyboardist Carl Maguire and drummer Shawn Baltazor are all part of a generation for which Autechre and Sigur Rós are as pressing a concern as Armstrong and Sun Ra. That's certainly evident in the band's timbral sophistication, spacy contours and slinky grooves." Time Out, New York (Steve Smith)
"Trombonist Brett Sroka’s dreamy trio makes small, incremental moves sound profound, mixing together some ominous keyboard tinkle, a bit of digitally enhanced brass, and enough textural percussion to keep the whole thing fluid. Rather unique. Tonight, Sroka’s enlisted the mighty Jason Moran to handle those keys."
The Village Voice (Jim Macnie)
"Ergo offers a compelling vision of how jazz can thrive in the context of processed textures... 21st Century fusion, ya’ll — the way ahead." destination-out.com [five overlooked gems] (Jeff Golick)
"...into completely new horizons similar to nothing you've heard before... captivating, hypnotic, and attractively exotic music"
All Music Guide
"atmospheric...takes full advantage of electronic programming and cross-genre appropriation."
The New York Times
"... has lots of sound sculpture in him. His rather dramatic art music is both texturally rich and compositionally engaging."
The Village Voice
"Sroka has huge ears and catholic tastes, using these to good effect on this moody and memorable recording."
Cadence Magazine